
Alternate Auckland brings together altered photographs, digital montages and multiple exposures made around Tāmaki Makaurau Auckland while walking and commuting, beginning around 2013. The works draw on streets, gardens, waterfronts and other everyday places, where familiar views are disrupted through layered imagery, geometric forms, repeated shapes, reflections and graphic structures.
Across the series, the boundaries between the natural and the constructed become unstable. Vegetation appears to push back into urban space, water and reflections suggest changing shorelines, while buildings and infrastructure are caught within patterns that recall mapping, weaving and other forms of cultural construction. These woven and graphic overlays do more than decorate the scene; they suggest a way of inhabiting the ruins. They hint at a future relationship with the land—one where survivors adapt to a reshaped world by weaving new meanings into the fragments of the old.
The title also carries a personal dimension. Made while moving through a city that was still becoming home, the photographs can be read as attempts to map an unfamiliar place from within it. Auckland becomes both encountered landscape and imagined territory: a place being observed, altered and reassembled, with new shores appearing between memory, migration, nature and the built environment.
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Rambling Close, Shelly Beach -

Dune Walker, Shelly Beach -

Bunker Down, Wynyard Quarter -

False Dawns I, Otahuhu Floods -

False Dawns II, Otahuhu Floods -

Forest Grove I, Shelly Beach -

Wynyard Flood Weave II, Auckland -

Palm Winds, Ōtāhuhu -

Forest Mask, Shelly Beach -

Basket Weave, Shelly Beach -

False Dawns I, Wynyard Quarter -

Wynyard Flood Weave I, Auckland -

False Dawns, Wynyard Floods -

Island -

Apocalypse -

Forest Grove II, Shelly Beach -

Portal Weave, Shelly Beach
